GORDON wrote: They murder Andy's character, I think I read it was because Ed Helms was giving higher priority to his movie career, so the writers were fucking with him.
Man, he was awful.
GORDON wrote: The time of Robert California was interesting.
He was kinda awesome.
GORDON wrote: Pam comes off as a soul-crushing bitch to Jim in the last season, and it felt like they did some damage control with her, in the last episode. Even my kid thought she was being incredibly unfair.
It felt like they didn't have enough story lines, and they wanted to add some drama before it all ended. Just felt dumb, and fake.
GORDON wrote: Pam comes off as a soul-crushing bitch to Jim in the last season, and it felt like they did some damage control with her, in the last episode. Even my kid thought she was being incredibly unfair.
Wife agrees. I cannot believe they made them stay there for a year. wtf?
GORDON wrote: I heard they almost had her have an affair with the sound guy. They certainly set it up.
This guy fucks, am I right?
That break up sure inspired him to get something with his life.
thibodeaux wrote: Also, did you notice it looked like they were maybe going to try to spin off a Dwight show, with the head nerd from SV as his brother?
It’s hard to fault longtime writer, director, and former showrunner Paul Lieberstein, writer and director of the episode, for “The Farm”’s shortcomings. “The Farm” has lost many of its elements since it was cut from 60-minute pilot to a twelve minute story arc, leaving bizarre loose ends, awkward character introductions, and a wealth of plot holes. It’s messy and rushed, a fractured version of its complete self that fails to achieve the goals it sets.
Sounds like they made the pilot? But it appears it never made it out.
“Activism is a way for useless people to feel important, even if the consequences of their activism are counterproductive for those they claim to be helping and damaging to the fabric of society as a whole.” - Dr Thomas Sowell
